ExhibitionsMODERN ART IN WANDERINGS: In Between the Japanese- and
Western-style Paintings
MODERN ART IN WANDERINGS: In Between the Japanese- and
Western-style Paintings
HOME > Exhibitions > MODERN ART IN WANDERINGS: In Between the Japanese- and Western-style Paintings > list of works
Please note that the works on display will be rotated as indicated in the list below.
- Part I: January 10 (Wed.) - February 4 (Sun.)
- Part II: February 6 (Tue.) - February 25 (Sun.)
Works with asterisks in the “ICP” column have been designated as Important Cultural Property. Works marked as “not exhibited” specifically will not be exhibited in Kyoto.
- * The works are listed according to their catalog numbers and does not reflectthe positions in which they will be displayed in the exhibition. All translations and romanizations are as given in the exhibition catalog.
No. | Artist | Title | Year | Media | Collection | ICP | Rotation |
---|---|---|---|---|---|---|---|
1 | KANO Hogai | A View of Mediterranean Sea | 1882 | sumi and color on paper | private collection | ||
2 | KANO Hogai | Morning Mist | 1887 | color on silk | Tokyo National University of Fine Arts and Music | Part I | |
3 | KANO Hogai | Rocks | 1887 | sumi on silk | Tokyo National University of Fine Arts and Music | Part II | |
4 | KANO Hogai | Lions | c. 1886 | sumi, color and gold on paper | private collection | ||
5 | KANO Hogai | Acalanatha | 1887 | color and gold on paper | Tokyo National University of Fine Arts and Music | * | Part II |
6 | KANO Hogai | Nio (Buddhist Guardian) Seizing an Evil Spirit | 1886 | color on paper | private collection | ||
7 | KANO Hogai | Avalokitesvara as a Merciful Mother | 1888 | color and gold on silk | Tokyo National University of Fine Arts and Music | * | Part I |
8-1 | KANO Hogai | Sketchbooks | 1857 | sumi on paper | Tokyo National University of Fine Arts and Music | different pages displayed in Parts I/II | |
8-2 | KANO Hogai | Sketchbooks | date unknown | sumi and color on paper | Tokyo National University of Fine Arts and Music | different pages displayed in Parts I/II | |
8-3 | KANO Hogai | Sketchbooks | date unknown | sumi and color on paper | Tokyo National University of Fine Arts and Music | different pages displayed in Parts I/II | |
8-4 | KANO Hogai | Sketchbooks | date unknown | pencil on paper | Tokyo National University of Fine Arts and Music | different pages displayed in Parts I/II | |
9 | TAKAHASHI Yuichi | Banded Boarhead, from “Fish Illustration” | 1864 | sumi and color on paper | Tokyo National Museum | Part I | |
10 | TAKAHASHI Yuichi | Capturing an Elephant | 1874 | sumi on silk | Tokyo National Museum | Part II | |
11 | TAKAHASHI Yuichi | View of the Sumida River with Cherry Blossoms | 1874 | oil on canvas | private collection | ||
12 | TAKAHASHI Yuichi | Sunset at Shibaura | 1877 | oil on canvas | Kotohira-gu | ||
13 | TAKAHASHI Yuichi | Sea Bream (Saltwater Fishes) | 1879 | oil on canvas | Kotohira-gu | ||
14 | TAKAHASHI Yuichi | Beauty (Courtesan) | 1872 | oil on canvas | Tokyo National University of Fine Arts and Music | * | |
15-1 | TAKAHASHI Yuichi | Sketchbooks | 1868 | sumi and color on paper | Tokyo National University of Fine Arts and Music | different pages displayed in Parts I/II | |
15-2 | TAKAHASHI Yuichi | Sketchbooks | date unknown | sumi on paper | Tokyo National University of Fine Arts and Music | different pages displayed in Parts I/II | |
15-3 | TAKAHASHI Yuichi | Sketchbooks | 1872 | pencil and color on paper | Tokyo National University of Fine Arts and Music | different pages displayed in Parts I/II | |
15-4 | TAKAHASHI Yuichi | Sketchbooks | 1872 | pencil and color on paper | Tokyo National University of Fine Arts and Music | different pages displayed in Parts I/II |
No. | Artist | Title | Year | Media | Collection | ICP | Rotation |
---|---|---|---|---|---|---|---|
16 | SAKAKI Teitoku | Concert by Japanese and Western Instruments | c. 1906 | oil on canvas | Nagasaki Prefectural Art Museum | ||
17 | SAKAKI Teitoku | Folding Screen in Oils | 19th c. | oil on canvas | Kasama Nichido Museum of Art | ||
18 | KAWANABE Kyosai | Kawatake Mokuami’s Western Play: The Strange Tale of a Castaway, at the Palace Theater (front view) | 1879 | sumi and color on silk | GAS MUSEUM | ||
19 | KAWABATA Gyokusho | Gathering of Flowers in Four Seasons | c. 1877 | oil, Japanese pigments and gold on silk | The Akita Museum of Modern Art | ||
20 | KAWAKAMI Togai | The Four Gentlemen, from “Sketches of Landscapes, Flowers and Birds” | date unknown | color on silk | Tokyo National Museum | Part I | |
21 | KAWAKAMI Togai | Flowers and Birds, from “Sketches of Landscapes, Flowers and Birds” | date unknown | color on silk | Tokyo National Museum | Part II | |
22 | KAWAKAMI Togai | Landscape | date unknown | oil on canvas | Tokyo National Museum | Part I | |
23 | GOSEDA Horyu | Japanese Genre Scene | date unknown | watercolor on paper | Koriyama City Museum of Art | ||
24 | GOSEDA Horyu II | Portrait of Captain Matsuzaki Naoomi of Infantry | date unknown | color on silk | Tokyo National Museum | Part II | |
25 | ARAKI Kampo | Racoon Dog | date unknown | oil on canvas | Tokyo National Museum | ||
26 | ARAKI Kampo | Lobsters and a Flatfish, a Study for “Cloisonné Panels in the Geihinkan” | 1906 | color on silk | Tokyo National Museum | Part II | |
27 | ARAKI Kampo | Pheasant, a Study for “Cloisonné Panels in the Geihinkan” | 1906 | color on silk | Tokyo National Museum | Part I | |
28 | WATANABE Seitei | Peony and a Little Bird, a Study for “Cloisonné Panels in the Geihinkan” | 1906 | color on silk | Tokyo National Museum | Part II | |
29 | WATANABE Seitei | Parakeet, a Study for “Cloisonné Panels in the Geihinkan” | 1906 | color on silk | Tokyo National Museum | Part I | |
30 | WATANABE Seitei | Woodpecker, a Study for “Cloisonné Panels in the Geihinkan” | 1906 | color on silk | Tokyo National Museum | Part II | |
31 | WATANABE Seitei | Fish and Shellfish, a Study for “Cloisonné Panels in the Geihinkan” | 1906 | color on silk | Tokyo National Museum | Part I | |
32 | WATANABE Seitei | Fruits, a Study for “Cloisonné Panels in the Geihinkan” | 1906 | color on silk | Tokyo National Museum | Part II | |
33 | HASHIMOTO Gaho | A Torpedo Hitting the Target | c. 1881 | oil on canvas | Tokyo National Museum | ||
34 | HASHIMOTO Gaho | Benzaiten, the Goddess of Music and Good Fortune, on a Dragon | 1886 | color on paper | Museum of Fine Arts, Boston William Sturgis Bigelow Collection, 11.8728 |
||
35 | KOBAYASHI Kiyochika | Lions | 1884 | color on silk | Chiba City Museum of Art | Part I | |
36 | ITO Yasuhiko | A Sitting Figure of a Man | 1898 | oil on silk | Hoshino Gallery | ||
37 | KOBAYASHI Eitaku | Sugawara Michizane Praying on Tenpai-zan | c. 1874-86 | sumi and color on cotton | Museum of Fine Arts, Boston William Sturgis Bigelow Collection, 11.9412 |
||
38 | KOBAYASHI Eitaku | Commander Kiyomasa Kato | 1871 | color and gold on board | Myohoji Temple, Suginami-ku | ||
39 | KOBAYASHI Eitaku | The Seven Gods of Good Fortune | c. 1880 | sumi and color on silk | Museum of Fine Arts, Boston William Sturgis Bigelow Collection, 11.7971 |
||
40 | KOBAYASHI Eitaku | Izanami and Izanagi Creating the Japanese Islands | mid-1880s | sumi and color on silk | Museum of Fine Arts, Boston William Sturgis Bigelow Collection, 11.7972 |
||
41 | TAMURA Soryu (Gessho) | Benkei Dragging a Temple Bell | 1901 | oil on canvas | Kyoto National Museum | ||
42 | TAMURA Soryu (Gessho) | Seashore Landscape | 1903 | oil on hemp cloth | The National Museum of Modern Art, Kyoto | ||
43 | TAMURA Soryu (Gessho) | Dragon King | late Meiji Period | sumi, color and gold on silk | Kyoto National Museum | Part I | |
44 | SOYAMA (ONO) Sachihiko | Samurai Testing His Bow | 1890 | oil and gold on canvas | Tokyo National Museum | not exhibited | |
45 | HARADA Naojiro | Kannon Bodhisattva Riding the Dragon | 1890 | oil on canvas | Gokokuji Temple | ||
46 | YAMANOUCHI Gusen | Asazuma-bune | 1897 | oil on hemp cloth | Osaka City Museum of Modern Art | ||
47 | KAWAMURA Kiyoo | Takasago | c. 1927-28 | oil and silver on silk | Kashima Collection, Meguro Museum of Art, Tokyo | ||
48 | KAWAMURA Kiyoo | Waterfall | date unknown | oil and gold on silk | private collection | ||
49 | KAWAMURA Kiyoo | Murakami Hikoshiro | c.1921-25 | oil, gold and tin on silk | Kashima Collection, Meguro Museum of Art, Tokyo | not exhibited |
No. | Artist | Title | Year | Media | Collection | ICP | Rotation |
---|---|---|---|---|---|---|---|
50 | ASAI Chu | Blind Biwa Player | 1902-07 | color on silk | Chiba Prefectural Museum of Art | ||
51 | ASAI Chu | Oharame | 1905-06 | oil and gold on canvas | private collection | ||
52 | ASAI Chu | Ogre’s Island | 1905 | color on silk | private collection | Part I | |
53 | KOSAKA Shodo | Fields | 1898 | color on silk | Tokyo National University of Fine Arts and Music | Part II | |
54 | YOKOYAMA Taikan | Stray Child | 1902 | charcoal and gold (from back side) on silk | private collection | not exhibited | |
55 | YOKOYAMA Taikan | Autumn Mountainside | c. 1911 | color on silk | The National Museum of Modern Art, Kyoto | ||
56 | SHIMOMURA Kanzan | Diogenes | 1903 | color on silk | The National Museum of Modern Art, Tokyo | ||
57 | SHIMOMURA Kanzan | Kannon Having Fish in a Basket (Avalokite-śvara- bodhisattva) | 1928 | sumi, color and gold on silk | Nichiren Buddhist Temple Myofukuji | ||
58 | YAMAMOTO Shunkyo | Snow on the Rocky Mountains | 1904 | sumi and color on silk | Takashimaya Historical Museum | ||
59 | TAKEUCHI Seiho | Moon in Venice | 1904 | sumi on silk | Takashimaya Historical Museum | ||
60 | HISHIDA Shunso | Forest in the Evening | 1904 | color on silk | Iida City Museum | Part II | |
61 | HISHIDA Shunso | Autumn Grove | 1909 | color on silk | The National Museum of Modern Art, Tokyo | Part I | |
62 | KURODA Seiki | Woman in Red | 1912 | oil on canvas | Kagoshima Prefectural Museum of Culture REIMEIKAN | ||
63 | KURODA Seiki | Lakeside | 1897 | oil on canvas | National Research Institute for Cultural Properties, Tokyo | * | Part I |
64 | OKADA Saburosuke | Kimono with Iris Pattern | 1927 | oil on paper mounted on canvas | Pola Museum of Art (Pola Collection) | ||
65 | WADA Eisaku | Picnic | 1925 | oil on canvas | Tokyo National University of Fine Arts and Music |
No. | Artist | Title | Year | Media | Collection | ICP | Rotation |
---|---|---|---|---|---|---|---|
66 | KISHIDA Ryusei | An Apple Exists on Top of a Pot | 1916 | oil on board | The National Museum of Modern Art, Tokyo | ||
67 | HAYAMI Gyoshu | Tea Bowl and Fruits | 1921 | color and gold on silk | The National Museum of Modern Art, Tokyo | ||
68 | HAYAMI Gyoshu | Pomegranates on a Nabeshima Dish | 1921 | color on silk | private collection | Part I | |
69 | TSUCHIDA Bakusen | Salmon | 1924 | color on paper | The Niigata Prefectural Museum of Modern Art/The Niigata Bandaijima Art Museum | Part II | |
70 | KOBAYASHI Kokei | Still Life | 1922 | oil on canvas | Yamatane Museum of Art | not exhibited | |
71 | OMODA Seiju | Pompon Dahlias | 1922 | color on silk | Yokohama Museum of Art | Part I | |
72 | MURAKAMI Kagaku | Green Persimmon | 1923 | color on silk | Kimura Teizo Collection, Aichi Prefectural Museum of Art | Part II | |
73 | INAGAKI Chusei | Fighting Cock | 1919 | sumi and color on paper | The National Museum of Modern Art, Kyoto | ||
74 | TOKUOKA Shinsen | Camellias | c. 1922 | color and gold on silk | The National Museum of Modern Art, Tokyo | ||
75 | KISHIDA Ryusei | Road Cut through a Hill | 1915 | oil on canvas | The National Museum of Modern Art, Tokyo | * | |
76 | MURAKAMI Kagaku | Autumn Forest | 1921 | color and gold on silk | private collection | Part I | |
77 | SAKAKIBARA Shiko | Road | 1920 | color on silk | The National Museum of Modern Art, Kyoto | ||
78 | SAKAKIBARA Shiko | Hill under Cultivation | c. 1927 | color on paper | Hoshino Gallery | ||
79 | OMODA Seiju | The Port of Ezumi in Izumo | 1921 | color on paper | The National Museum of Modern Art, Tokyo | Part II | |
80 | HAYAMI Gyoshu | Dead City | 1931 | color on silk | Tessaido | ||
81 | TSUCHIDA Bakusen | Landscape of Vetheuil | 1922 | tempera on canvas | private collection | Part I | |
82 | IRIE Hako | Landscape in Southern Europe (Mausoleum of St. Costanza) | 1922 | color on silk | private collection | Part I | |
83 | IRIE Hako | Green Grove | 1923 | color on silk | The National Museum of Modern Art, Tokyo | Part II | |
84 | SAWABE Seigoro | Bank of Hudson River | c. 1916 | conté and color on silk | Hoshino Gallery | Part I | |
85 | SAWABE Seigoro | A Group of Sheeps (at Assissi, Italy) | 1931 | conté and color on silk | Hoshino Gallery | Part II |
No. | Artist | Title | Year | Media | Collection | ICP | Rotation |
---|---|---|---|---|---|---|---|
86 | NAGAHARA Kotaro | Lingering Snow | 1913 | oil on canvas | The National Museum of Modern Art, Tokyo | ||
87 | KOIDE Narashige | Screen of Pine, Bamboo and Plum | 1919 | oil and silver on paper | Ohara Museum of Art | ||
88 | SAITO Yori | Shiobara Landscape in Autumn | 1918 | oil on canvas | The Museum of Modern Art, Saitama | ||
89 | FUJISHIMA Takeji | Breaking Waves at Daio Misaki | 1932 | oil on canvas | Mie Prefectural Art Museum | ||
90 | FUJITA Tsuguharu | Nude with Tapestry | 1923 | oil on canvas | The National Museum of Modern Art, Kyoto | ||
91 | FUJITA Tsuguharu | Self-portrait | 1929 | oil on canvas | The National Museum of Modern Art, Tokyo | ||
92 | KONO Michisei | Attack by Mongolian | 1926 | oil and gold on canvas | private collection | ||
93 | UMEHARA Ryuzaburo | Landscape, Shiroyama | 1937 | oil and Japanese pigments on canvas | The National Museum of Modern Art, Tokyo | ||
94 | UMEHARA Ryuzaburo | Autumn in Beijing | 1942 | oil and Japanese pigments on paper | The National Museum of Modern Art, Tokyo |
No. | Artist | Title | Year | Media | Collection | ICP | Rotation |
---|---|---|---|---|---|---|---|
95 | YOROZU Tetsugoro | Leaning Woman | 1917 | oil on canvas | The National Museum of Modern Art, Tokyo | ||
96 | YOROZU Tetsugoro | Landscape through the Trees | c. 1915 | sumi on paper | Iwate Museum of Art | Part I | |
97 | YOROZU Tetsugoro | Composition | c. 1915 | sumi on paper | Iwate Museum of Art | Part II | |
98 | YOROZU Tetsugoro | Distant View through the Bridge (Saru Bridge) | c. 1917 | sumi and color on paper | Yorozu Tetsugoro Memorial Museum of Art | Part II | |
99 | YOROZU Tetsugoro | Stone Wall of the Riverside | 1914-16 | sumi on paper | Yorozu Tetsugoro Memorial Museum of Art | Part I | |
100 | YOROZU Tetsugoro | Town Looked Down through the Branches | 1918 | oil on canvas | Iwate Museum of Art | ||
101 | YOROZU Tetsugoro | Landscape through the Trees | 1918 | oil on canvas | The Niigata Prefectural Museum of Modern Art/The Niigata Bandaijima Art Museum | ||
102 | YOROZU Tetsugoro | Matsushima | c. 1918 | sumi on silk | Iwate Museum of Art | Part I | |
103 | YOROZU Tetsugoro | Study for Screen of Matsushima | 1918 | oil on board | Iwate Museum of Art | ||
104 | YOROZU Tetsugoro | Fishing in a Mountain Stream | c. 1917-18 | color on paper | Iwate Museum of Art | Part II | |
105 | YOROZU Tetsugoro | Pine Woods | c. 1922 | sumi and color on paper | Yorozu Tetsugoro Memorial Museum of Art | Part I | |
106 | YOROZU Tetsugoro | Branch Road | c. 1922 | sumi on paper | Iwate Museum of Art | Part II | |
107 | YOROZU Tetsugoro | The Four Seasons | c. 1922 | sumi and color on silk | private collection | Part I: Spring & Summer Part II: Autumn & Winter |
|
108 | YOROZU Tetsugoro | Landscape of Shonan | 1926 | oil on canvas | The National Museum of Modern Art, Tokyo | ||
109 | KISHIDA Ryusei | Reiko, Five Years Old | 1918 | oil on canvas | The National Museum of Modern Art, Tokyo | ||
110 | KISHIDA Ryusei | Natural Girl | 1922 | oil on canvas | private collection | ||
111 | KISHIDA Ryusei | Reiko Playing the Shamisen | 1923 | oil on canvas | The National Museum of Modern Art, Kyoto | not exhibited | |
112 | KISHIDA Ryusei | Naked Reiko Holding Flowers | 1922 | sumi and color on paper | Shimonoseki City Art Museum | Part I | |
113 | KISHIDA Ryusei | Naked Reiko | date unknown | sumi and color on paper | Shimonoseki City Art Museum | Part II | |
114-1 | KISHIDA Ryusei | Flowers (Spring) from Flowers and Fruits | 1924 | sumi and color on paper | The National Museum of Modern Art, Tokyo | ||
114-2 | KISHIDA Ryusei | Sweet Fruit (Summer) from Flowers and Fruits | 1924 | sumi and color on paper | The National Museum of Modern Art, Tokyo | ||
114-3 | KISHIDA Ryusei | Bitter Oranges and Persimmons (Autumn) from Flowers and Fruits | 1924 | sumi and color on paper | The National Museum of Modern Art, Tokyo | ||
114-4 | KISHIDA Ryusei | Radishes, Arrowheads, and an Orange (Winter) from Flowers and Fruits | 1924 | sumi and color on paper | The National Museum of Modern Art, Tokyo | ||
115 | KISHIDA Ryusei | A Bit of Leisure on Spring Day | 1926 | sumi and color on paper | Shimonoseki City Art Museum | Part II | |
116 | KISHIDA Ryusei | Carrots | 1926 | color on silk | The National Museum of Modern Art, Tokyo | ||
117 | KISHIDA Ryusei | Wax Gourd and Egg Plants | 1926 | color on silk | private collection | Part I | |
118 | MORITA Tsunetomo | A Fishing Village (Drying Fishing Nets) | 1912 | oil and charcoal on canvas | Hoshino Gallery | ||
119 | MORITA Tsunetomo | Fisherman’s Family | 1912 | oil, charcoal and gold on canvas | Hoshino Gallery | ||
120 | MORITA Tsunetomo | French Landscape | 1914-15 | oil on canvas | The National Museum of Modern Art, Tokyo | ||
121 | MORITA Tsunetomo | Village in Amakusa (2) | 1916 | oil on canvas | The Museum of Modern Art, Saitama | ||
122 | MORITA Tsunetomo | Fishing Village | c. 1919-20 | sumi and gold on paper | private collection | Part I | |
123 | MORITA Tsunetomo | Album of the Plain | 1928 | sumi and color on paper | The National Museum of Modern Art, Tokyo | different pages displayed in Parts I/II | |
124 | MORITA Tsunetomo | Little Grebes | 1920 | sumi and color on silk | The National Museum of Modern Art, Tokyo | Part II | |
125 | MORITA Tsunetomo | Wild Pine | 1932 | sumi and color on silk | The Museum of Modern Art, Gunma | Part II | |
126 | MORITA Tsunetomo | Beach | 1910s | color on hemp cloth | The Museum of Modern Art, Ibaraki | Part I | |
127 | MORITA Tsunetomo | Fresh Green in Lake Ozenuma | 1932 | oil on canvas | private collection | ||
128 | KOSUGI Hoan (Misei) | Taoist Huang Chuping | 1915 | oil and gold on canvas | Kosugi Hoan Museum of Art, Nikko | ||
129 | KOSUGI Hoan (Misei) | Waterside Village | 1911 | oil and charcoal on canvas | The National Museum of Modern Art, Tokyo | ||
130 | KOSUGI Hoan (Misei) | Story of Ramayana | 1928 | oil on canvas | The National Museum of Modern Art, Tokyo | ||
131 | KOSUGI Hoan (Misei) | August in a Breton Village | c. 1914 | pencil and watercolor on silk | Tochigi Prefectural Museum of Fine Arts | Part I | |
132 | KOSUGI Hoan (Misei) | Cloud Shaped Ancient White Rock | c. 1933 | sumi and color on paper | Kosugi Hoan Museum of Art, Nikko | ||
133 | KOSUGI Hoan (Misei) | Album of Landscapes in Kainan | 1931 | sumi and color on paper | The National Musem of Modern Art, Tokyo | different pages displayed in Parts I/II | |
134 | KOSUGI Hoan (Misei) | Camellia | 1937 | sumi, color and gold on silk | The National Museum of Modern Art, Tokyo | ||
135 | KOSUGI Hoan (Misei) | Ame-no- Uzume-no- Mikoto | 1951 | oil and gold on canvas | Idemitsu Museum of Arts | ||
136 | KOSUGI Hoan (Misei) | Still Life | c. 1955 | oil on canvas | Kosugi Hoan Museum of Art, Nikko | ||
137 | KONDO Koichiro | Kyobashi | 1910 | oil on canvas | Tokyo National University of Fine Arts and Music | ||
138 | KONDO Koichiro | Rice Field | 1934 | sumi on paper | The National Museum of Modern Art, Tokyo | ||
139 | KONDO Koichiro | Blue Abyss | 1942 | sumi on paper | The National Museum of Modern Art, Tokyo | ||
140 | SUDA Kunitaro | Azekura (Ancient Repository) B | 1943 | oil on canvas | The National Museum of Modern Art, Kyoto | ||
141 | SUDA Kunitaro | Ancient Pine | 1951 | sumi on paper | Kyoto Municipal Museum of Art | ||
142 | KAWABATA Ryushi | Mother Earth | 1919 | color and gold on silk | Ryushi Kinenkan (Commemorative Hall) | Part I | |
143 | KAWABATA Ryushi | Scroll of Bullfight | 1922 | color and gold on paper | The National Museum of Modern Art, Tokyo | ||
144 | KAWABATA Ryushi | Summer Parlor | 1925 | color on silk | The National Museum of Modern Art, Kyoto | ||
145 | KAWABATA Ryushi | Giant Waterspout | 1933 | color and gold on silk | Ryushi Kinenkan (Commemorative Hall) | ||
146 | HADA Teruo | Coming Home After Night Work | 1911 | color on silk | The National Museum of Modern Art, Kyoto | ||
147 | HADA Teruo | Mother and Child | c. 1918 | color and silver on hemp cloth | The National Museum of Modern Art, Kyoto | ||
148 | HADA Teruo | Women | c. 1918 | color on hemp cloth | The National Museum of Modern Art, Kyoto | not exhibited | |
149 | HADA Teruo | Sleeping Baby | c. 1923 | color on hemp cloth | The National Museum of Modern Art, Kyoto | ||
150 | HADA Teruo | Buddhist Icon | c. 1926 | color on hemp cloth | Kyoto Municipal Museum of Art | ||
151 | HADA Teruo | Amida Triad | c. 1941 | color on paper | Hoshino Gallery | ||
152 | HADA Teruo | A Pumpkin and Eggplants | c. 1929 | color on silk | Hoshino Gallery | ||
153 | KUMAGAI Morikazu | Highland’s Path | 1940 | oil on board | Kimura Teizo Collection, Aichi Prefectural Museum of Art | ||
154 | KUMAGAI Morikazu | Raindrops | 1950 | sumi on paper | Kimura Teizo Collection, Aichi Prefectural Museum of Art | Part I | |
155 | KUMAGAI Morikazu | Raindrops | 1961 | oil on board | Kimura Teizo Collection, Aichi Prefectural Museum of Art | ||
156 | KUMAGAI Morikazu | Sleeping Cat | 1953 | sumi and color on paper | Kimura Teizo Collection, Aichi Prefectural Museum of Art | Part II | |
157 | KUMAGAI Morikazu | White Kitten | 1958 | oil on canvas | Kimura Teizo Collection, Aichi Prefectural Museum of Art | ||
158 | KUMAGAI Morikazu | Kon: Imaginary Big Fish | 1958 | sumi and color on paper | Kimura Teizo Collection, Aichi Prefectural Museum of Art | Part I | |
159 | KUMAGAI Morikazu | Seascape | 1957 | oil on board | Kimura Teizo Collection, Aichi Prefectural Museum of Art | ||
160 | KUMAGAI Morikazu | Nude on Tatami | 1962 | oil on canvas | The National Museum of Modern Art, Tokyo | ||
161 | KUMAGAI Morikazu | Showering | 1964 | sumi and color on paper | The National Museum of Modern Art, Kyoto |
Top of this page