MODERN ART IN WANDERINGS: In Between the Japanese- and
Western-style Paintings
HOME > Exhibitions > MODERN ART IN WANDERINGS: In Between the Japanese- and Western-style Paintings > list of works
Please note that the works on display will be rotated as indicated in the list below.
- Part I: January 10 (Wed.) - February 4 (Sun.)
- Part II: February 6 (Tue.) - February 25 (Sun.)
Works with asterisks in the “ICP” column have been designated as Important Cultural Property. Works marked as “not exhibited” specifically will not be exhibited in Kyoto.
- * The works are listed according to their catalog numbers and does not reflect
- the positions in which they will be displayed in the exhibition. All translations and
- romanizations are as given in the exhibition catalog.
| No. | Artist | Title | Year | Media | Collection | ICP | Rotation |
|---|---|---|---|---|---|---|---|
| 1 | KANO Hogai | A View of Mediterranean Sea | 1882 | sumi and color on paper | private collection | ||
| 2 | KANO Hogai | Morning Mist | 1887 | color on silk | Tokyo National University of Fine Arts and Music | Part I | |
| 3 | KANO Hogai | Rocks | 1887 | sumi on silk | Tokyo National University of Fine Arts and Music | Part II | |
| 4 | KANO Hogai | Lions | c. 1886 | sumi, color and gold on paper | private collection | ||
| 5 | KANO Hogai | Acalanatha | 1887 | color and gold on paper | Tokyo National University of Fine Arts and Music | * | Part II |
| 6 | KANO Hogai | Nio (Buddhist Guardian) Seizing an Evil Spirit | 1886 | color on paper | private collection | ||
| 7 | KANO Hogai | Avalokitesvara as a Merciful Mother | 1888 | color and gold on silk | Tokyo National University of Fine Arts and Music | * | Part I |
| 8-1 | KANO Hogai | Sketchbooks | 1857 | sumi on paper | Tokyo National University of Fine Arts and Music | different pages displayed in Parts I/II | |
| 8-2 | KANO Hogai | Sketchbooks | date unknown | sumi and color on paper | Tokyo National University of Fine Arts and Music | different pages displayed in Parts I/II | |
| 8-3 | KANO Hogai | Sketchbooks | date unknown | sumi and color on paper | Tokyo National University of Fine Arts and Music | different pages displayed in Parts I/II | |
| 8-4 | KANO Hogai | Sketchbooks | date unknown | pencil on paper | Tokyo National University of Fine Arts and Music | different pages displayed in Parts I/II | |
| 9 | TAKAHASHI Yuichi | Banded Boarhead, from “Fish Illustration” | 1864 | sumi and color on paper | Tokyo National Museum | Part I | |
| 10 | TAKAHASHI Yuichi | Capturing an Elephant | 1874 | sumi on silk | Tokyo National Museum | Part II | |
| 11 | TAKAHASHI Yuichi | View of the Sumida River with Cherry Blossoms | 1874 | oil on canvas | private collection | ||
| 12 | TAKAHASHI Yuichi | Sunset at Shibaura | 1877 | oil on canvas | Kotohira-gu | ||
| 13 | TAKAHASHI Yuichi | Sea Bream (Saltwater Fishes) | 1879 | oil on canvas | Kotohira-gu | ||
| 14 | TAKAHASHI Yuichi | Beauty (Courtesan) | 1872 | oil on canvas | Tokyo National University of Fine Arts and Music | * | |
| 15-1 | TAKAHASHI Yuichi | Sketchbooks | 1868 | sumi and color on paper | Tokyo National University of Fine Arts and Music | different pages displayed in Parts I/II | |
| 15-2 | TAKAHASHI Yuichi | Sketchbooks | date unknown | sumi on paper | Tokyo National University of Fine Arts and Music | different pages displayed in Parts I/II | |
| 15-3 | TAKAHASHI Yuichi | Sketchbooks | 1872 | pencil and color on paper | Tokyo National University of Fine Arts and Music | different pages displayed in Parts I/II | |
| 15-4 | TAKAHASHI Yuichi | Sketchbooks | 1872 | pencil and color on paper | Tokyo National University of Fine Arts and Music | different pages displayed in Parts I/II |
| No. | Artist | Title | Year | Media | Collection | ICP | Rotation |
|---|---|---|---|---|---|---|---|
| 16 | SAKAKI Teitoku | Concert by Japanese and Western Instruments | c. 1906 | oil on canvas | Nagasaki Prefectural Art Museum | ||
| 17 | SAKAKI Teitoku | Folding Screen in Oils | 19th c. | oil on canvas | Kasama Nichido Museum of Art | ||
| 18 | KAWANABE Kyosai | Kawatake Mokuami’s Western Play: The Strange Tale of a Castaway, at the Palace Theater (front view) | 1879 | sumi and color on silk | GAS MUSEUM | ||
| 19 | KAWABATA Gyokusho | Gathering of Flowers in Four Seasons | c. 1877 | oil, Japanese pigments and gold on silk | The Akita Museum of Modern Art | ||
| 20 | KAWAKAMI Togai | The Four Gentlemen, from “Sketches of Landscapes, Flowers and Birds” | date unknown | color on silk | Tokyo National Museum | Part I | |
| 21 | KAWAKAMI Togai | Flowers and Birds, from “Sketches of Landscapes, Flowers and Birds” | date unknown | color on silk | Tokyo National Museum | Part II | |
| 22 | KAWAKAMI Togai | Landscape | date unknown | oil on canvas | Tokyo National Museum | Part I | |
| 23 | GOSEDA Horyu | Japanese Genre Scene | date unknown | watercolor on paper | Koriyama City Museum of Art | ||
| 24 | GOSEDA Horyu II | Portrait of Captain Matsuzaki Naoomi of Infantry | date unknown | color on silk | Tokyo National Museum | Part II | |
| 25 | ARAKI Kampo | Racoon Dog | date unknown | oil on canvas | Tokyo National Museum | ||
| 26 | ARAKI Kampo | Lobsters and a Flatfish, a Study for “Cloisonné Panels in the Geihinkan” | 1906 | color on silk | Tokyo National Museum | Part II | |
| 27 | ARAKI Kampo | Pheasant, a Study for “Cloisonné Panels in the Geihinkan” | 1906 | color on silk | Tokyo National Museum | Part I | |
| 28 | WATANABE Seitei | Peony and a Little Bird, a Study for “Cloisonné Panels in the Geihinkan” | 1906 | color on silk | Tokyo National Museum | Part II | |
| 29 | WATANABE Seitei | Parakeet, a Study for “Cloisonné Panels in the Geihinkan” | 1906 | color on silk | Tokyo National Museum | Part I | |
| 30 | WATANABE Seitei | Woodpecker, a Study for “Cloisonné Panels in the Geihinkan” | 1906 | color on silk | Tokyo National Museum | Part II | |
| 31 | WATANABE Seitei | Fish and Shellfish, a Study for “Cloisonné Panels in the Geihinkan” | 1906 | color on silk | Tokyo National Museum | Part I | |
| 32 | WATANABE Seitei | Fruits, a Study for “Cloisonné Panels in the Geihinkan” | 1906 | color on silk | Tokyo National Museum | Part II | |
| 33 | HASHIMOTO Gaho | A Torpedo Hitting the Target | c. 1881 | oil on canvas | Tokyo National Museum | ||
| 34 | HASHIMOTO Gaho | Benzaiten, the Goddess of Music and Good Fortune, on a Dragon | 1886 | color on paper | Museum of Fine Arts, Boston William Sturgis Bigelow Collection, 11.8728 |
||
| 35 | KOBAYASHI Kiyochika | Lions | 1884 | color on silk | Chiba City Museum of Art | Part I | |
| 36 | ITO Yasuhiko | A Sitting Figure of a Man | 1898 | oil on silk | Hoshino Gallery | ||
| 37 | KOBAYASHI Eitaku | Sugawara Michizane Praying on Tenpai-zan | c. 1874-86 | sumi and color on cotton | Museum of Fine Arts, Boston William Sturgis Bigelow Collection, 11.9412 |
||
| 38 | KOBAYASHI Eitaku | Commander Kiyomasa Kato | 1871 | color and gold on board | Myohoji Temple, Suginami-ku | ||
| 39 | KOBAYASHI Eitaku | The Seven Gods of Good Fortune | c. 1880 | sumi and color on silk | Museum of Fine Arts, Boston William Sturgis Bigelow Collection, 11.7971 |
||
| 40 | KOBAYASHI Eitaku | Izanami and Izanagi Creating the Japanese Islands | mid-1880s | sumi and color on silk | Museum of Fine Arts, Boston William Sturgis Bigelow Collection, 11.7972 |
||
| 41 | TAMURA Soryu (Gessho) | Benkei Dragging a Temple Bell | 1901 | oil on canvas | Kyoto National Museum | ||
| 42 | TAMURA Soryu (Gessho) | Seashore Landscape | 1903 | oil on hemp cloth | The National Museum of Modern Art, Kyoto | ||
| 43 | TAMURA Soryu (Gessho) | Dragon King | late Meiji Period | sumi, color and gold on silk | Kyoto National Museum | Part I | |
| 44 | SOYAMA (ONO) Sachihiko | Samurai Testing His Bow | 1890 | oil and gold on canvas | Tokyo National Museum | not exhibited | |
| 45 | HARADA Naojiro | Kannon Bodhisattva Riding the Dragon | 1890 | oil on canvas | Gokokuji Temple | ||
| 46 | YAMANOUCHI Gusen | Asazuma-bune | 1897 | oil on hemp cloth | Osaka City Museum of Modern Art | ||
| 47 | KAWAMURA Kiyoo | Takasago | c. 1927-28 | oil and silver on silk | Kashima Collection, Meguro Museum of Art, Tokyo | ||
| 48 | KAWAMURA Kiyoo | Waterfall | date unknown | oil and gold on silk | private collection | ||
| 49 | KAWAMURA Kiyoo | Murakami Hikoshiro | c.1921-25 | oil, gold and tin on silk | Kashima Collection, Meguro Museum of Art, Tokyo | not exhibited |
| No. | Artist | Title | Year | Media | Collection | ICP | Rotation |
|---|---|---|---|---|---|---|---|
| 50 | ASAI Chu | Blind Biwa Player | 1902-07 | color on silk | Chiba Prefectural Museum of Art | ||
| 51 | ASAI Chu | Oharame | 1905-06 | oil and gold on canvas | private collection | ||
| 52 | ASAI Chu | Ogre’s Island | 1905 | color on silk | private collection | Part I | |
| 53 | KOSAKA Shodo | Fields | 1898 | color on silk | Tokyo National University of Fine Arts and Music | Part II | |
| 54 | YOKOYAMA Taikan | Stray Child | 1902 | charcoal and gold (from back side) on silk | private collection | not exhibited | |
| 55 | YOKOYAMA Taikan | Autumn Mountainside | c. 1911 | color on silk | The National Museum of Modern Art, Kyoto | ||
| 56 | SHIMOMURA Kanzan | Diogenes | 1903 | color on silk | The National Museum of Modern Art, Tokyo | ||
| 57 | SHIMOMURA Kanzan | Kannon Having Fish in a Basket (Avalokite-śvara- bodhisattva) | 1928 | sumi, color and gold on silk | Nichiren Buddhist Temple Myofukuji | ||
| 58 | YAMAMOTO Shunkyo | Snow on the Rocky Mountains | 1904 | sumi and color on silk | Takashimaya Historical Museum | ||
| 59 | TAKEUCHI Seiho | Moon in Venice | 1904 | sumi on silk | Takashimaya Historical Museum | ||
| 60 | HISHIDA Shunso | Forest in the Evening | 1904 | color on silk | Iida City Museum | Part II | |
| 61 | HISHIDA Shunso | Autumn Grove | 1909 | color on silk | The National Museum of Modern Art, Tokyo | Part I | |
| 62 | KURODA Seiki | Woman in Red | 1912 | oil on canvas | Kagoshima Prefectural Museum of Culture REIMEIKAN | ||
| 63 | KURODA Seiki | Lakeside | 1897 | oil on canvas | National Research Institute for Cultural Properties, Tokyo | * | Part I |
| 64 | OKADA Saburosuke | Kimono with Iris Pattern | 1927 | oil on paper mounted on canvas | Pola Museum of Art (Pola Collection) | ||
| 65 | WADA Eisaku | Picnic | 1925 | oil on canvas | Tokyo National University of Fine Arts and Music |
| No. | Artist | Title | Year | Media | Collection | ICP | Rotation |
|---|---|---|---|---|---|---|---|
| 66 | KISHIDA Ryusei | An Apple Exists on Top of a Pot | 1916 | oil on board | The National Museum of Modern Art, Tokyo | ||
| 67 | HAYAMI Gyoshu | Tea Bowl and Fruits | 1921 | color and gold on silk | The National Museum of Modern Art, Tokyo | ||
| 68 | HAYAMI Gyoshu | Pomegranates on a Nabeshima Dish | 1921 | color on silk | private collection | Part I | |
| 69 | TSUCHIDA Bakusen | Salmon | 1924 | color on paper | The Niigata Prefectural Museum of Modern Art/The Niigata Bandaijima Art Museum | Part II | |
| 70 | KOBAYASHI Kokei | Still Life | 1922 | oil on canvas | Yamatane Museum of Art | not exhibited | |
| 71 | OMODA Seiju | Pompon Dahlias | 1922 | color on silk | Yokohama Museum of Art | Part I | |
| 72 | MURAKAMI Kagaku | Green Persimmon | 1923 | color on silk | Kimura Teizo Collection, Aichi Prefectural Museum of Art | Part II | |
| 73 | INAGAKI Chusei | Fighting Cock | 1919 | sumi and color on paper | The National Museum of Modern Art, Kyoto | ||
| 74 | TOKUOKA Shinsen | Camellias | c. 1922 | color and gold on silk | The National Museum of Modern Art, Tokyo | ||
| 75 | KISHIDA Ryusei | Road Cut through a Hill | 1915 | oil on canvas | The National Museum of Modern Art, Tokyo | * | |
| 76 | MURAKAMI Kagaku | Autumn Forest | 1921 | color and gold on silk | private collection | Part I | |
| 77 | SAKAKIBARA Shiko | Road | 1920 | color on silk | The National Museum of Modern Art, Kyoto | ||
| 78 | SAKAKIBARA Shiko | Hill under Cultivation | c. 1927 | color on paper | Hoshino Gallery | ||
| 79 | OMODA Seiju | The Port of Ezumi in Izumo | 1921 | color on paper | The National Museum of Modern Art, Tokyo | Part II | |
| 80 | HAYAMI Gyoshu | Dead City | 1931 | color on silk | Tessaido | ||
| 81 | TSUCHIDA Bakusen | Landscape of Vetheuil | 1922 | tempera on canvas | private collection | Part I | |
| 82 | IRIE Hako | Landscape in Southern Europe (Mausoleum of St. Costanza) | 1922 | color on silk | private collection | Part I | |
| 83 | IRIE Hako | Green Grove | 1923 | color on silk | The National Museum of Modern Art, Tokyo | Part II | |
| 84 | SAWABE Seigoro | Bank of Hudson River | c. 1916 | conté and color on silk | Hoshino Gallery | Part I | |
| 85 | SAWABE Seigoro | A Group of Sheeps (at Assissi, Italy) | 1931 | conté and color on silk | Hoshino Gallery | Part II |
| No. | Artist | Title | Year | Media | Collection | ICP | Rotation |
|---|---|---|---|---|---|---|---|
| 86 | NAGAHARA Kotaro | Lingering Snow | 1913 | oil on canvas | The National Museum of Modern Art, Tokyo | ||
| 87 | KOIDE Narashige | Screen of Pine, Bamboo and Plum | 1919 | oil and silver on paper | Ohara Museum of Art | ||
| 88 | SAITO Yori | Shiobara Landscape in Autumn | 1918 | oil on canvas | The Museum of Modern Art, Saitama | ||
| 89 | FUJISHIMA Takeji | Breaking Waves at Daio Misaki | 1932 | oil on canvas | Mie Prefectural Art Museum | ||
| 90 | FUJITA Tsuguharu | Nude with Tapestry | 1923 | oil on canvas | The National Museum of Modern Art, Kyoto | ||
| 91 | FUJITA Tsuguharu | Self-portrait | 1929 | oil on canvas | The National Museum of Modern Art, Tokyo | ||
| 92 | KONO Michisei | Attack by Mongolian | 1926 | oil and gold on canvas | private collection | ||
| 93 | UMEHARA Ryuzaburo | Landscape, Shiroyama | 1937 | oil and Japanese pigments on canvas | The National Museum of Modern Art, Tokyo | ||
| 94 | UMEHARA Ryuzaburo | Autumn in Beijing | 1942 | oil and Japanese pigments on paper | The National Museum of Modern Art, Tokyo |
| No. | Artist | Title | Year | Media | Collection | ICP | Rotation |
|---|---|---|---|---|---|---|---|
| 95 | YOROZU Tetsugoro | Leaning Woman | 1917 | oil on canvas | The National Museum of Modern Art, Tokyo | ||
| 96 | YOROZU Tetsugoro | Landscape through the Trees | c. 1915 | sumi on paper | Iwate Museum of Art | Part I | |
| 97 | YOROZU Tetsugoro | Composition | c. 1915 | sumi on paper | Iwate Museum of Art | Part II | |
| 98 | YOROZU Tetsugoro | Distant View through the Bridge (Saru Bridge) | c. 1917 | sumi and color on paper | Yorozu Tetsugoro Memorial Museum of Art | Part II | |
| 99 | YOROZU Tetsugoro | Stone Wall of the Riverside | 1914-16 | sumi on paper | Yorozu Tetsugoro Memorial Museum of Art | Part I | |
| 100 | YOROZU Tetsugoro | Town Looked Down through the Branches | 1918 | oil on canvas | Iwate Museum of Art | ||
| 101 | YOROZU Tetsugoro | Landscape through the Trees | 1918 | oil on canvas | The Niigata Prefectural Museum of Modern Art/The Niigata Bandaijima Art Museum | ||
| 102 | YOROZU Tetsugoro | Matsushima | c. 1918 | sumi on silk | Iwate Museum of Art | Part I | |
| 103 | YOROZU Tetsugoro | Study for Screen of Matsushima | 1918 | oil on board | Iwate Museum of Art | ||
| 104 | YOROZU Tetsugoro | Fishing in a Mountain Stream | c. 1917-18 | color on paper | Iwate Museum of Art | Part II | |
| 105 | YOROZU Tetsugoro | Pine Woods | c. 1922 | sumi and color on paper | Yorozu Tetsugoro Memorial Museum of Art | Part I | |
| 106 | YOROZU Tetsugoro | Branch Road | c. 1922 | sumi on paper | Iwate Museum of Art | Part II | |
| 107 | YOROZU Tetsugoro | The Four Seasons | c. 1922 | sumi and color on silk | private collection | Part I: Spring & Summer Part II: Autumn & Winter |
|
| 108 | YOROZU Tetsugoro | Landscape of Shonan | 1926 | oil on canvas | The National Museum of Modern Art, Tokyo | ||
| 109 | KISHIDA Ryusei | Reiko, Five Years Old | 1918 | oil on canvas | The National Museum of Modern Art, Tokyo | ||
| 110 | KISHIDA Ryusei | Natural Girl | 1922 | oil on canvas | private collection | ||
| 111 | KISHIDA Ryusei | Reiko Playing the Shamisen | 1923 | oil on canvas | The National Museum of Modern Art, Kyoto | not exhibited | |
| 112 | KISHIDA Ryusei | Naked Reiko Holding Flowers | 1922 | sumi and color on paper | Shimonoseki City Art Museum | Part I | |
| 113 | KISHIDA Ryusei | Naked Reiko | date unknown | sumi and color on paper | Shimonoseki City Art Museum | Part II | |
| 114-1 | KISHIDA Ryusei | Flowers (Spring) from Flowers and Fruits | 1924 | sumi and color on paper | The National Museum of Modern Art, Tokyo | ||
| 114-2 | KISHIDA Ryusei | Sweet Fruit (Summer) from Flowers and Fruits | 1924 | sumi and color on paper | The National Museum of Modern Art, Tokyo | ||
| 114-3 | KISHIDA Ryusei | Bitter Oranges and Persimmons (Autumn) from Flowers and Fruits | 1924 | sumi and color on paper | The National Museum of Modern Art, Tokyo | ||
| 114-4 | KISHIDA Ryusei | Radishes, Arrowheads, and an Orange (Winter) from Flowers and Fruits | 1924 | sumi and color on paper | The National Museum of Modern Art, Tokyo | ||
| 115 | KISHIDA Ryusei | A Bit of Leisure on Spring Day | 1926 | sumi and color on paper | Shimonoseki City Art Museum | Part II | |
| 116 | KISHIDA Ryusei | Carrots | 1926 | color on silk | The National Museum of Modern Art, Tokyo | ||
| 117 | KISHIDA Ryusei | Wax Gourd and Egg Plants | 1926 | color on silk | private collection | Part I | |
| 118 | MORITA Tsunetomo | A Fishing Village (Drying Fishing Nets) | 1912 | oil and charcoal on canvas | Hoshino Gallery | ||
| 119 | MORITA Tsunetomo | Fisherman’s Family | 1912 | oil, charcoal and gold on canvas | Hoshino Gallery | ||
| 120 | MORITA Tsunetomo | French Landscape | 1914-15 | oil on canvas | The National Museum of Modern Art, Tokyo | ||
| 121 | MORITA Tsunetomo | Village in Amakusa (2) | 1916 | oil on canvas | The Museum of Modern Art, Saitama | ||
| 122 | MORITA Tsunetomo | Fishing Village | c. 1919-20 | sumi and gold on paper | private collection | Part I | |
| 123 | MORITA Tsunetomo | Album of the Plain | 1928 | sumi and color on paper | The National Museum of Modern Art, Tokyo | different pages displayed in Parts I/II | |
| 124 | MORITA Tsunetomo | Little Grebes | 1920 | sumi and color on silk | The National Museum of Modern Art, Tokyo | Part II | |
| 125 | MORITA Tsunetomo | Wild Pine | 1932 | sumi and color on silk | The Museum of Modern Art, Gunma | Part II | |
| 126 | MORITA Tsunetomo | Beach | 1910s | color on hemp cloth | The Museum of Modern Art, Ibaraki | Part I | |
| 127 | MORITA Tsunetomo | Fresh Green in Lake Ozenuma | 1932 | oil on canvas | private collection | ||
| 128 | KOSUGI Hoan (Misei) | Taoist Huang Chuping | 1915 | oil and gold on canvas | Kosugi Hoan Museum of Art, Nikko | ||
| 129 | KOSUGI Hoan (Misei) | Waterside Village | 1911 | oil and charcoal on canvas | The National Museum of Modern Art, Tokyo | ||
| 130 | KOSUGI Hoan (Misei) | Story of Ramayana | 1928 | oil on canvas | The National Museum of Modern Art, Tokyo | ||
| 131 | KOSUGI Hoan (Misei) | August in a Breton Village | c. 1914 | pencil and watercolor on silk | Tochigi Prefectural Museum of Fine Arts | Part I | |
| 132 | KOSUGI Hoan (Misei) | Cloud Shaped Ancient White Rock | c. 1933 | sumi and color on paper | Kosugi Hoan Museum of Art, Nikko | ||
| 133 | KOSUGI Hoan (Misei) | Album of Landscapes in Kainan | 1931 | sumi and color on paper | The National Musem of Modern Art, Tokyo | different pages displayed in Parts I/II | |
| 134 | KOSUGI Hoan (Misei) | Camellia | 1937 | sumi, color and gold on silk | The National Museum of Modern Art, Tokyo | ||
| 135 | KOSUGI Hoan (Misei) | Ame-no- Uzume-no- Mikoto | 1951 | oil and gold on canvas | Idemitsu Museum of Arts | ||
| 136 | KOSUGI Hoan (Misei) | Still Life | c. 1955 | oil on canvas | Kosugi Hoan Museum of Art, Nikko | ||
| 137 | KONDO Koichiro | Kyobashi | 1910 | oil on canvas | Tokyo National University of Fine Arts and Music | ||
| 138 | KONDO Koichiro | Rice Field | 1934 | sumi on paper | The National Museum of Modern Art, Tokyo | ||
| 139 | KONDO Koichiro | Blue Abyss | 1942 | sumi on paper | The National Museum of Modern Art, Tokyo | ||
| 140 | SUDA Kunitaro | Azekura (Ancient Repository) B | 1943 | oil on canvas | The National Museum of Modern Art, Kyoto | ||
| 141 | SUDA Kunitaro | Ancient Pine | 1951 | sumi on paper | Kyoto Municipal Museum of Art | ||
| 142 | KAWABATA Ryushi | Mother Earth | 1919 | color and gold on silk | Ryushi Kinenkan (Commemorative Hall) | Part I | |
| 143 | KAWABATA Ryushi | Scroll of Bullfight | 1922 | color and gold on paper | The National Museum of Modern Art, Tokyo | ||
| 144 | KAWABATA Ryushi | Summer Parlor | 1925 | color on silk | The National Museum of Modern Art, Kyoto | ||
| 145 | KAWABATA Ryushi | Giant Waterspout | 1933 | color and gold on silk | Ryushi Kinenkan (Commemorative Hall) | ||
| 146 | HADA Teruo | Coming Home After Night Work | 1911 | color on silk | The National Museum of Modern Art, Kyoto | ||
| 147 | HADA Teruo | Mother and Child | c. 1918 | color and silver on hemp cloth | The National Museum of Modern Art, Kyoto | ||
| 148 | HADA Teruo | Women | c. 1918 | color on hemp cloth | The National Museum of Modern Art, Kyoto | not exhibited | |
| 149 | HADA Teruo | Sleeping Baby | c. 1923 | color on hemp cloth | The National Museum of Modern Art, Kyoto | ||
| 150 | HADA Teruo | Buddhist Icon | c. 1926 | color on hemp cloth | Kyoto Municipal Museum of Art | ||
| 151 | HADA Teruo | Amida Triad | c. 1941 | color on paper | Hoshino Gallery | ||
| 152 | HADA Teruo | A Pumpkin and Eggplants | c. 1929 | color on silk | Hoshino Gallery | ||
| 153 | KUMAGAI Morikazu | Highland’s Path | 1940 | oil on board | Kimura Teizo Collection, Aichi Prefectural Museum of Art | ||
| 154 | KUMAGAI Morikazu | Raindrops | 1950 | sumi on paper | Kimura Teizo Collection, Aichi Prefectural Museum of Art | Part I | |
| 155 | KUMAGAI Morikazu | Raindrops | 1961 | oil on board | Kimura Teizo Collection, Aichi Prefectural Museum of Art | ||
| 156 | KUMAGAI Morikazu | Sleeping Cat | 1953 | sumi and color on paper | Kimura Teizo Collection, Aichi Prefectural Museum of Art | Part II | |
| 157 | KUMAGAI Morikazu | White Kitten | 1958 | oil on canvas | Kimura Teizo Collection, Aichi Prefectural Museum of Art | ||
| 158 | KUMAGAI Morikazu | Kon: Imaginary Big Fish | 1958 | sumi and color on paper | Kimura Teizo Collection, Aichi Prefectural Museum of Art | Part I | |
| 159 | KUMAGAI Morikazu | Seascape | 1957 | oil on board | Kimura Teizo Collection, Aichi Prefectural Museum of Art | ||
| 160 | KUMAGAI Morikazu | Nude on Tatami | 1962 | oil on canvas | The National Museum of Modern Art, Tokyo | ||
| 161 | KUMAGAI Morikazu | Showering | 1964 | sumi and color on paper | The National Museum of Modern Art, Kyoto |
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